dwta’s ‘Di Naman’ is a Confessional Ode to Unrequited Love
On her lushly arranged alt-pop track, the Albay native expresses her frustrations with someone who may not reciprocate the same infatuated feelings as hers. As dwta describes it, “’Di Naman is a song about the playful but frustrating side of unrequited love. Back when I first started writing it, it felt like I was just venting about my crushes and my fear of rejection. But as time passed and I experienced more, I realized the song wasn’t just about being scared to make the first move but also about accepting that sometimes things don’t go your way in love.” Co-produced with frequent collaborator Brian Lotho, “’Di Naman” reimagines chamber pop and jazz music influences through her own contemporary lens. This marks a subtle shift from her folk-y beginnings to a more mature and sonically intricate direction, while remaining true to her personal brand as a singer-songwriter. Everything about the song is flowy and gentle, but not quite a sleeper: the arrangements soar in its delicate but ethereal way, never getting in the way of dwta’s affecting vocal delivery. The ascending strings and expressive piano lines contribute to the track’s masterful musicality. But it’s through her subdued singing that gives the torch ballad [...]
Philippine Times 
On her lushly arranged alt-pop track, the Albay native expresses her frustrations with someone who may not reciprocate the same infatuated feelings as hers. As dwta describes it, “’Di Naman is a song about the playful but frustrating side of unrequited love. Back when I first started writing it, it felt like I was just venting about my crushes and my fear of rejection. But as time passed and I experienced more, I realized the song wasn’t just about being scared to make the first move but also about accepting that sometimes things don’t go your way in love.” Co-produced with frequent collaborator Brian Lotho, “’Di Naman” reimagines chamber pop and jazz music influences through her own contemporary lens. This marks a subtle shift from her folk-y beginnings to a more mature and sonically intricate direction, while remaining true to her personal brand as a singer-songwriter. Everything about the song is flowy and gentle, but not quite a sleeper: the arrangements soar in its delicate but ethereal way, never getting in the way of dwta’s affecting vocal delivery. The ascending strings and expressive piano lines contribute to the track’s masterful musicality. But it’s through her subdued singing that gives the torch ballad [...]
